Angela and Ellie conference call

Thanks, Nette!

The first question is from Jamie Steinberg, Starry Constellation Magazine.

Jamie Steinberg: Hi, it’s a pleasure to speak with both of you.

Angela Kinsey: Hi.

Jamie Steinberg: First I wanted to say that Ellie, I’m a big Subtle Sexuality fan and I was wondering if we can expect any new music from them? I’d love to see you do a remake of Tardy for the Party.

Ellie Kemper: Me too. I am also a big fan. I’ve been wondering the same thing. I’ve heard rumors that they are going to write another song and maybe make another video but I’m not sure that those rumors are accurate. So I actually know as little as you do. I hope they do. I think it’s fun to dress up in those clothes and sing. But I’ll put in that request for sure. What is it Tardy for the Party?


Angela Kinsey: When I saw those I was like dang it, why doesn’t my character ever have any fun because I never get to do any of that stuff.


Angela Kinsey: It’s so much fun.

Ellie Kemper: How much more – I think it would have been like that much more interesting a story if Angela like did just leave behind…

Angela Kinsey: No…


Jamie Steinberg: Put her hair down.


Ellie Kemper: Yeah, right.

Jamie Steinberg: Well Ellie, when you first joined the cast did you find there was instant chemistry when you started working with everyone or did it take a bit of time to develop?

Ellie Kemper: Well everyone there luckily is so welcoming and so kind. I would imagine that that’s sort of dynamic or warmth doesn’t exist on every set. And I have to say for a show that they have made – they did all the work to make it great and then I just got to come in in the fifth season and be a part of it, it’s like really lucky for me.

So I don’t know about chemistry or whatever, I just feel really fortunate that they made me – they like wove me into the fabric really…

Angela Kinsey: And, I mean, come on there was a hazing process…


Angela Kinsey: You got through it so…

Ellie Kemper: I never mentioned that part. Angela in particular hazed me the hardest.

Angela Kinsey: Yeah, a lot of pranks.

Ellie Kemper: A lot of pranks with this one. But she’s letting up. I think she’s finally starting to let me into the fold. I don’t know, I don’t know, every day is a challenge.

Jamie Steinberg: And Angela, we know that you have a bit of a maternal instinct with cats on the show however do you think that Angela might have a motherly human maternal instinct soon?

Angela Kinsey: Oh my goodness, I mean, I can’t imagine Angela Martin as a mother. I think that would be very interesting. I remember a few episodes – a few seasons ago she said that she might like two very small well-behaved boys so she could parent those.

Listen, I would love to see her try to nurture a human. I think that would be a lot of fun to watch her go through those motions. But, yeah, I don’t know, I mean, definitely would be a great idea.

Ellie Kemper: Well we have your (dance baby) up as a lettuce, cabbage…


Angela Kinsey: Well hey listen I love the Anne Geddes photos – my character, so, you know. But you have to remember my character has a weird thing about photos of babies dressed up remember that Christmas episode where she got exactly what she wanted which was two babies dressed up as jazz musicians so…

Ellie Kemper: Oh my gosh.

Jamie Steinberg: What could you see Jenna’s – Pam’s baby as? What would his or her theme be?

Angela Kinsey: What would I dress Pam’s baby up as?

Jamie Steinberg: Yeah.

Angela Kinsey: Maybe like a very – like a very small version of like – I don’t know, thinking, like a Mother Theresa, like give her like a little habit. I think there’s…


Angela Kinsey: I think come Christmas time I could try to make a live Nativity scene…

Ellie Kemper: Oh my gosh.

Angela Kinsey: …try to dress up…


Angela Kinsey: Cracker baby.

Jamie Steinberg: Well she’s obsessed with the Nutcracker so…

Angela Kinsey: Yeah right, right.

Jamie Steinberg: All right thank you both so much for your time.

Angela Kinsey: Thank you.

Ellie Kemper: Thank you.

Coordinator: Liz Scordo, Yahoo TV.

Liz Scordo: Hi guys, thanks for doing the call today.

Ellie Kemper: Hi.

Liz Scordo: So there have been lots of special baby episodes on different shows throughout the years; how is this one going to be different? And then from there what do you think will change about the show once Jim and Pam have the baby?

Ellie Kemper: It won’t.

Angela Kinsey: I think what’s the great thing about our show is that they find ways to make our characters grow without really changing a character’s arc, you know. And that’s always a fine line in television – sorry, I’m losing my voice today. But if you change a character too much the audience falls out of love with the character.

But yet characters need to evolve and grow over the years. And I think our writers are brilliant at doing that. So I think Jim and Pam having a baby you’re going to see like new aspects of them but it’s not going to change the dynamic of our office, you know, and what’s funny within the office.

I loved this baby episode. I actually went to the writers and tried to pitch them some breastfeeding jokes because I actually came back to work and – when my child was eight weeks old and I – not to over share but I had to pump, you know, I mean, that’s a working mom’s life is you want to breastfeed.

Liz Scordo: Right.

Angela Kinsey: So we had to take pump breaks all day and I had to go to my trailer. And I did that for like 11 months.

Ellie Kemper: Oh my gosh.

Angela Kinsey: Yeah, I went into the writers because we don’t have – our female writers on the show don’t have children and so I pulled like Mindy and BJ aside and I’m like okay are you guys going to have this happen? What about this in the hospital because this and this happens to you right off the bat, you know.

And like BJ was like hey, the knows, you know.

Ellie Kemper: Right.

Angela Kinsey: And I mean, I don’t know what all they used or didn’t use but it’s a fun episode. And I think what’s great about it is as far as different baby episodes on television there’s a little bit of reality there. I mean, we can have some more real moments because we are a mockumentary, you know, and we can go into some subjects that maybe your standard sitcom would skip over. And so I think it’s going to be really fun for people to watch.

Ellie Kemper: Yeah, I thought the same thing when I was watching Niagara, the wedding episode, I thought what a – just a signature sort of perfect way the writers put the whole thing together in such a way that it is this like monumental event, you know, it’s this landmark thing that’s happening.

And these two huge things to be happening in such a short span of time, the wedding and now having the baby. But again treated like, you know, like Angela just said, bringing out moments that other, you know, sitcoms may have to skip over but that are very real and combining them to make this like realistic portrait of what it is to go through this.

And also but at the same time it’s – I haven’t seen the delivery episode yet but just watching Niagara it’s like oh I was crying, I was laughing, I don’t know; I don’t know how they do it but they do so…

Angela Kinsey: The writers are great and then I also have to say that Jenna and John have been so wonderful at creating this couple…

Ellie Kemper: Yeah.

Angela Kinsey: …you know, it’s sort of in conjunction to what the writers have given them. Jenna and John have made Pam and Jim a classic television couple. And we all – even people on the show, I mean, we know the episodes coming out, we’re there when they’re shot and then we find ourselves when we’re watching them, like Ellie said, tearing up and rooting for them.

And they’re a couple that you want to root for. And that makes it…

Ellie Kemper: Yeah.

Angela Kinsey: …very special.

Ellie Kemper: Yeah, yeah.

Liz Scordo: And Ellie has there been anything about joining the show that surprised you or is it pretty much how you expected it?

Ellie Kemper: The thing that has surprised is the fact that I’m able to be on it. I don’t know how. I always think I’m like oh a year ago what was happening. And actually a year ago I think was my first – when I start – when I was in the first episode. But I think, I mean, surprising in just the most wonderful way.

I just said this so I don’t mean to repeat myself but it is strange to have watched a show like on your futon for five years and then to be on it is completely surreal. And I think that it’s so weird because I go to work and I see this people every day so now I’m like, you know, they’re real people.

But then every now and then I have a moment where it’s just oh wait a second these are the people on the television show that I love. It’s weird. But they could – just everyone couldn’t – again be like more – couldn’t be warmer. It’s very – it’s a huge relief. Like I was stressed.

Liz Scordo: Thank you both so much.

Angela Kinsey: Thank you.

Ellie Kemper: Thank you.

Coordinator: Danielle Turchiano, Examiner.

Danielle Turchiano: Hey good morning guys.

Angela Kinsey: Good morning.

Danielle Turchiano: So I have to ask, I mean, what do you love about shooting Webisodes versus television? Is there more freedom in what you can say and what you can do? Is there more improv? What attracted you guys to that medium?

Angela Kinsey: Well I know the very first Webisodes we did were the accounting Webisodes. And at that time is a very new genre, you know…

Ellie Kemper: Yeah.

Angela Kinsey: …I mean, we came in on our day off and it was me and Brian and Oscar and we had such a small skeleton crew. I mean, I remember, you know, our crew – we were all just kind of cracking up. It felt very free and loose; it felt like something you might have done in college.

And now they’re more organized, they’re more structured a little bit. But there’s still that real sense of freedom and a real sense of play because it’s kind of like going to school, you know, during off hours. There’s no one really there and you all kind of cut up a little more and maybe you get your work done but instead of sitting on your chair at your desk you sit on your desk, you know.

Ellie Kemper: Right.

Angela Kinsey: So that’s kind of what the energy is like there. Like it feels like we’ve all come in on a day off and it’s a lot of fun. And our show, you know, we get to improvise on our show. We definitely do the script as it’s written but we have this sense of play already on our show. And I guess come Webisode time that same energy is there.

Ellie Kemper: Yeah.

Angela Kinsey: We do improvise but I wouldn’t say it’s anymore than we do already on our show.

Danielle Turchiano: Okay.

Ellie Kemper: And I felt like, you know, it’s a shorter timeframe to get it all done. It does seem – it is, like Angela said, it’s like going in on the day off of school or something where it’s just oh, we’re just having fun. It’s still getting all the work done but it is – there is this – I felt like there was – I don’t know if relaxed is the right word but there was more room for…

Angela Kinsey: Yeah it is, well, you know…


Angela Kinsey: Usually Webisodes only feature about three or four people…

Ellie Kemper: Yeah.


Angela Kinsey: And so, you know, when there’s 16 of us all there everybody – like we need to get through hair and makeup quickly. It has to be a well oiled machine so that…

Ellie Kemper: Yeah, yeah.

Angela Kinsey: …so that no one – we’re not holding up production. We all get to set. Things all have to fall in place for the day to run smoothly because there’s so many of us. But when there’s just three or four people on set it is just much more relaxed.

Ellie Kemper: Yeah.

Angela Kinsey: I mean, we’re not going to go over our day, you know…

Ellie Kemper: Right, right, exactly, exactly.

Danielle Turchiano: Okay. And Angela, what do you think was the motivation to actually take Ellie’s character under your wing and be her mentor? Like what…

Angela Kinsey: Thank you for asking that. I actually think that’s a great question. I sort of feel like Angela Martin wants a friend but she’s so prickly that it takes such a tall order to be her friend. But, you know, she’s not – she’s not a robot, you know, she misses Dwight, she misses her friends, I mean, because I think he was her best friend.

And, you know, I’m sure her ladies group at church is catty. So, you know, she – or if she does have one friend outside of work I think it’s always nice to have an ally at work.

Ellie Kemper: Yeah.

Angela Kinsey: And she doesn’t have that. So I think she sort of jumped at the chance, I mean, and plus she loves accounting so this is some person who says that – who seems bright enough to understand concepts. It’s not like she wants to mentor Kevin. But, you know, I think she sort of jumped at the chance to maybe mentor someone who’s interested in something she loves to do.

And then she would have a friend at work. And…

Ellie Kemper: Right.

Angela Kinsey: …and that hasn’t happened for her in a while having someone at work to confide in.

Danielle Turchiano: Okay. And for both of you with – now with Jim and Pam having the baby and they’re, you know, they’re as a couple pretty solidified, they’ve already gotten together, they have their family, you guys are both the female halves of the will they, won’t they couple. So what do you see as coming up about Angela and Dwight and Andy and Erin?

Ellie Kemper: Sorry what do what? What…

Angela Kinsey: What do we see on the horizon for this couple?

Ellie Kemper: Oh, oh, oh.

Danielle Turchiano: Anything about your couples?

Ellie Kemper: Well Andy and Erin – I for Andy and Erin anyway I think it’s – I guess, you know, the groundwork has been laid. It seems sort of like every step forward is a step – like it’s not – it’s unclear how it’s going to work because there are always like obstacles in their word courtship.

I don’t know how much I can say or whatever. It does seem like that they do overcome these obstacles to like actually make a match. I don’t know – I’m not sure what lies ahead if for Andy and Erin if there is going to be a period of bliss like a honeymoon period or if it’s going to fall apart again.

I don’t really know because I don’t know what the writers have in store. Angela?

Angela Kinsey: I love the Andy and Erin. Like there’s such a sweet innocence about them. I mean, they’re kind of both buffoons, you know…

Ellie Kemper: Yes.

Angela Kinsey: And there’s a real sweetness to that that makes me want to root for them in a way. We actually just had a table read and I can’t get in too much of it but it was really fun. They actually – you see a whole another side of Ellie’s character…

Ellie Kemper: Yeah.

Angela Kinsey: …emotionally. And it was hysterical so I’m really excited to see that.

Ellie Kemper: Yeah.

Angela Kinsey: But as far as Dwight and Angela you know, I think Rainn and I have always thought that Dwight and Angela are sort of, you know, we’re geeky soul mates, you know…

Ellie Kemper: Yeah, yeah.

Angela Kinsey: …we’re geeky militant soul mates. And we hope that someday they find their way back to one another. I mean I think sometimes – what I try to do is take these crazy situations that happen on The Office and then realize that there’s always some reality in them.

I mean, my mom had a friend throughout my childhood who was on and off again with her spouse. And you knew they were meant to be together but, you know, she’d get pissed off at him and kick him out of the house. You know, and then they would get back and I feel like Dwight and Angela are like that; I feel like they’re going to find their way back to one another.

Ellie Kemper: Yeah.

Angela Kinsey: But they might fight all the way.

Ellie Kemper: Yeah. I hope they do. I love them…


Ellie Kemper: I’m rooting for them too. Like he’s – I love that, militant, yes. They are sort of meant for each other it seems to me.

Angela Kinsey: Yeah.

Danielle Turchiano: Great, well thank you both.

Angela Kinsey: Thank you.

Ellie Kemper: Thank you.

Coordinator: Fred Topel, Crave Online.

Fred Topel: Hi ladies.

Ellie Kemper: Hi.

Fred Topel: I’ve had the chance to meet Angela before and see that you are indeed a warm welcoming person in real life.

Angela Kinsey: Oh I’m glad, I’m glad you caught me on a good day.

Ellie Kemper: No I agree.

Fred Topel: Since this is my first time talking to Ellie I’ll have to just say it, I love you.

Angela Kinsey: Ah.

Ellie Kemper: That’s nice.

Fred Topel: How much of that warm bubbly personality of Erin is actually you?

Ellie Kemper: That’s a good question. And we were just talking about this a minute ago which is so far it seems like they – the writers and in the situations Erin has been in we’ve only sort of seen her bubbly side. I think that I have a bubbly side. I also like realize, Ellie, I also know I have a not bubbly side. And I hope coming up that they do explore that non-bubbly side because I think I can be – that is even more interesting to see exactly what Erin’s story is.

We keep hearing little bits and pieces of her back story, you know, where she came from, what this girl is all about. And I think she might be a little bit even weirder than we might think.

Angela Kinsey: Maybe a little more damaged.


Ellie Kemper: …little more damaged in that…

Angela Kinsey: I think that – I have to say because I’m sort of on the outside looking into this question I can tell you from being on set and going and having margaritas with Ellie and just hanging out on a daily basis that this sort of very genuine sincerity that is Ellie definitely comes through her character. And it’s very – it’s a really wonderful thing you bring to Erin.

Ellie Kemper: Oh, Angela, that’s like the nicest – thank you. That’s so nice. And Ann, I have to say as equally in the opposite way, Angela like, you know, Angela Martin doesn’t smile that much and then when I walked on set and I actually met Angela like in person oh my gosh a warmer person you do not know. So it was the opposite…


Angela Kinsey: I’m just a spaz, that’s the hardest thing for me about being Angela Martin is to turn off the spaz.


Fred Topel: So is there an aspect of comedy then to playing the opposite of yourself?

Angela Kinsey: Well it’s definitely a lot of fun because I find that when I play characters much closer to my own personality I’m a little bit more self conscious, you know, because I feel a little bit more exposed as myself. But when I play a character that’s very different from me I can – I really have fun with it because it’s such a departure from how I would react.

I am horribly non-confrontational. I’m from the South. I usually start most sentences with I’m sorry, so, you know, it’s like very fun to play someone who would quickly tell you off or definitely knows exactly what, you know, her thoughts and opinions and is going to share them and…

Ellie Kemper: Yeah.

Angela Kinsey: …I mean, it’s fun to be so different.

Fred Topel: Just reading both of your bios and remembering how everyone from The Office comes from different comedy backgrounds is it all sort of compatible when you all get together?

Angela Kinsey: Oh yeah, without a doubt. And in fact it’s such an asset, you know, I mean, I think when you do improv or sketch or standup in LA the town shrinks quite a bit. And almost all of us on set, you know, some of us knew each other before The Office because we had been at comedy clubs together.

And then when we get on set and we start doing the name game we’re like, oh yeah, I did a show with him one time. And, you know, it’s really a great synergy.

Fred Topel: And Ellie, if somebody were as vague and non-specific as Andy was would you be as clueless as Erin or would you figure out they’re trying to tell you something?

Ellie Kemper: I think I would figure out they were – I hope I would figure out that they were trying to tell me something. I think that I mostly go where I think oh gosh that person hates me. So any – in real life I mean, so any hint that oh this person just said a nice thing even if it’s vague I think I would pick up on that. I’m a little more discerning I think than Erin is.

I’m still – I still don’t completely buy that – I am a little convinced that Erin is playing a game as well which it’s pretty clear to me that Andy is hitting on this anyway. So I definitely though in real life, yes, I would so pick up on a hint.

Fred Topel: Well there’s so many office romances on The Office but do you think that’s a good idea like would you guys – there’s such a large cast and crew of The Office would you guys ever go there professionally?

Ellie Kemper: Wait sorry…

Angela Kinsey: Loaded question.

Ellie Kemper: Loaded question.


Angela Kinsey: Loaded question.

Ellie Kemper: You mean in real life romance on – within…

Fred Topel: Yeah, I’m not asking for dirt on the show I’m just saying…

Angela Kinsey: Right.

Fred Topel: …philosophically would you think that’s a good idea?

Ellie Kemper: I, you know, my current real – I don’t know. I guess it depends – I don’t know. I guess that’s where a lot of people meet their partners right in work?

Angela Kinsey: Sure I think you – I think it’s very easy to fall in love at work, it’s very easy. And then I think, you know, it’s, you know, it’s – sometimes it works and sometimes it doesn’t.

Ellie Kemper: Yeah.

Angela Kinsey: I mean that’s sort of a very generic answer but, I mean, when you work as long hours as we do and it’s so many people in America, I mean, you know, my sister is a nurse and their shifts at the hospital are – they’re like 14 hour shifts, you know. And we’ll work a 10-14 hour day. I mean, that’s totally common in television and film.

And I think when you’re at work that long you just go home and you fall into bed and that’s it, you crash out.

Ellie Kemper: Yeah, yeah.

Angela Kinsey: And you don’t have much of a life. I feel like I don’t see friends that aren’t on our show until hiatus because…

Ellie Kemper: Yeah.

Angela Kinsey: …between work and Isabel I’m just – I just want to be home.

Ellie Kemper: Yeah, right.

Angela Kinsey: So it easy to fall in love on set. So – but I think it’s a slippery slope.

Ellie Kemper: It seems like it. And in any quarters that close you have to be careful I think. I mean, like you said as a general rule. I don’t know but I guess people fall in love at work all the time.

Angela Kinsey: Did that answer your question at all or did we just meander around like…


Fred Topel: Yeah, well I’m self employed so I don’t even have that option.

Angela Kinsey: Oh no.

Ellie Kemper: Well no but…


Ellie Kemper: …even better.

Angela Kinsey: You need to get some interns, come on.

Fred Topel: Now that’s good advice.

Angela Kinsey: That’s where it happens.

Fred Topel: Thank you both. I’ll stop before I embarrass anyone anymore.

Angela Kinsey: Thank you.

Ellie Kemper: Thank you.

Coordinator: (Soren McGinton),

(Soren McGinton): Hi it’s so great to speak to both of you.

Angela Kinsey: Hi.

(Soren McGinton): First my question is for Ellie, on the mafia episode Oscar calls Jim and Pam and pretty much divides the office into sane versus insane with him and Jim and Pam on the same side. Which side do you think Erin falls on?

Ellie Kemper: I think…


Ellie Kemper: Oh sorry.

Angela Kinsey: I was laughing, sorry.

Ellie Kemper: My knee jerk – my immediate reaction is that Erin is on the insane side. I’m not sure that she knows she’s on the insane side which is why I think that she is on the insane side.

Angela Kinsey: Exactly, crazy people don’t know they’re crazy, come on.

Ellie Kemper: Exactly. But that’s like what it is, like you – so I guess, yes, that’s the answer. She would be on – in truth she would be on insane but she might consider herself to be on the sane side.

(Soren McGinton): Okay and for Angela I was wondering from your character’s perspective what inner-office dating advice would she give to Erin and Andy?

Angela Kinsey: Oh my God well first of all they’d be crazy to take her advice. But I think – what would she give Erin and Andy. Oh my God, she’d probably tell Erin like really? Andy? Really?

Ellie Kemper: Yeah right.

Angela Kinsey: Walk away now fool. And then she would probably tell them – because she’s hypocritical she’d probably tell them it’s highly inappropriate; you shouldn’t date at work.

Ellie Kemper: Right.

Angela Kinsey: Then she would go and shag Dwight in the warehouse so…


Angela Kinsey: …consistent for her.

(Soren McGinton): And as far as Jim and Pam’s wedding how do you think Angela felt about that?

Angela Kinsey: Jim and Pam’s wedding? You know what? It was very – it was very hard for me as – like because, you know, I love our show so much and I was so – that – when we shot the actual ceremony it was really moving. I mean, because…

Ellie Kemper: Yeah.

Angela Kinsey: …we’ve all grown – we’re a family, you know, and it’s like six years of our lives and all the up and downs and we’ve all been there for each other. And it’s a very unique path to journey with someone to go from waiting tables or answering phones at 1-800-Dentist to then go through this ride of a hit TV show. That is lightening in a bottle and we know we got the lottery ticket, you know.

So here we all are at this big moment in our show. And there was this real energy in the room of happiness and celebration. And I’m trying to be not enthused. And at the same time I’m like tearing up because I’m so excited to see John and Jenna like have this moment on our show as Jim and Pam.

So it’s – I think my character was like – I mean, honestly if I was answering as Angela Martin I’d be like well it’s about time. I mean, how long was she going to look at the floor, really? I mean, you know, so she was kind of that attitude. And then when everyone clapped at the end I was like hmm, yes, okay fine, you know, now they’re legitimate in the eyes of the Lord, okay great.

So I think she just thought it was about time to be appropriate, Pam.

Ellie Kemper: Right.


(Soren McGinton): And how did Erin, you think feel about it not being completely involved and very new in the office?

Ellie Kemper: I think the – at the very beginning she was leaving a voicemail saying we’re off – like we’re not at work today we’re celebrating a wedding, I think she was ecstatic. Like this is her first job, this is – these glamorous people surround her and – what she considers to be glamorous – and we’re all going to a wedding together.

What could be more fun or like a more group fun – experience. Not sort of realizing she is – or I think it was like – it was such a party and with the coolest people she knows. I mean, I don’t know if this was the first wedding she ever attended but it’s like oh again it’s just sort of like in real life like when I – Ellie – got to go the Emmys with these people it’s what is happening.

So it’s the same thing when Erin gets to go to the wedding of these two super stars of her like work environment. I think she was just thrilled. And I think, yeah, and I think she like – in the car ride over with Kelly I think it was she was excited for like a little girl’s trip, yeah, she was thrilled.

(Soren McGinton): Well thank you so much.

Angela Kinsey: Thank you.

Ellie Kemper: Thank you.

Coordinator: Sandra Kofler, TV Guide.

Sandra Kofler: Hi guys, good morning, how are you?

Angela Kinsey: Good, thank you.

Ellie Kemper: Hi.

Sandra Kofler: I had a few questions for you. For Ellie first we all know that Erin is such a nice character and she’s, you know, she’s a really good person to just play along with things; she played along with Kelly for the Subtle Sexuality stuff and you got to dress in all those crazy 80s outfits.

And from watching the previews of these new Webisodes we see Ellie wearing an outfit that looks a little eerily similar to what Angela is wearing.

Ellie Kemper: Yeah.

Angela Kinsey: A lot similar.

Ellie Kemper: A lot similar.

Sandra Kofler: I was wondering how – is Erin just a nice person? Is this the way she makes friends because obviously she’s really nice and she’s really great at playing along but where is this all going to go?

Ellie Kemper: Yeah, I think – I’m not sure she thinks she’s playing along. I think that Erin is so – I guess the word desperate to be accepted in the office and also so – sorry there’s some background noise – so eager for a friend and a mentor, I mean, someone to show her the way that at first it seems to be Kelly, you know, the cool girl who buys her clothes at the mall and is like willing to make – not really befriend Erin but sort of make her her subordinate.

So then when she like finds another mentor/friend in the form of Angela I think it’s again trolling for – I don’t think she thinks she’s playing along. I think it’s just like oh, I want to be accepted. I want to be good at what I’m doing. And oh, oh Angela is willing to take me under her wing; this is amazing. So I think it’s…


Ellie Kemper: …oh yeah.

Angela Kinsey: What’s been revealed about your character, I mean, you were in an orphanage like there’s been some little things dropped here and there that would definitely lead me to believe that she’s looking for family, you know, in whatever shape. It is somewhat similar to the way that Michael Scott sees the Dunder Mifflin Scranton branch as his family.

He completely believes that they…

Ellie Kemper: Yeah.

Angela Kinsey: …are much closer than they are. And in that way I feel like Erin is going to be someone who’s looking for things that most people have at home but she’ll look for it at work.

Ellie Kemper: Yeah.

Sandra Kofler: And it’s interesting that of all the characters to be united that it’s you two. And you do have this strange link that we sort of mentioned this hour about Andy that Andy was previously in love with you – with Angela’s character and now the has this crush on Erin. Is his character appearing at all in the Webisodes?

Angela Kinsey: Oh is Andy going to appear in this Webisode series?

Sandra Kofler: Yeah.

Angela Kinsey: Actually Andy is not, this is more about just sort of work stuff and there’s no relationship stuff in this Webisode series.


Angela Kinsey: But I think that – beg your pardon?

Sandra Kofler: Oh I was just wondering – go ahead and then I’ll ask.

Angela Kinsey: Oh okay. But I definitely think that as Andy and Erin’s relationship progresses that you’re going to see everyone in the office weighing in on it and including my character.

Ellie Kemper: Yeah, yeah.

Sandra Kofler: That’s what I was wondering. I just wanted to see if anything that was – well I mean that. And second of all is anything that’s happening in this Webisode series going to be winked at or mentioned in the actual series?

Angela Kinsey: You know, so far our writers have totally kept those things separate. Like Webisodes are almost like the show after the show, you know. And it’s – they’re definitely – all of these things are happening within this world. It’s almost just like the documentary crew had so much footage that this…

Ellie Kemper: Yeah.

Angela Kinsey: …is like extra stuff. So usually they sort of stand alone on their own and don’t enter into our main storyline and story arcs.

Sandra Kofler: Because I was just thinking it would be really weird if for any reason Andy ever found out that Erin was wearing clothes that are Angela’s style.


Angela Kinsey: …like what is wrong with you.

Ellie Kemper: Yeah right.

Angela Kinsey: Here put on…


Angela Kinsey: …top and khaki skirt. He is the preppiest man on the planet.

Ellie Kemper: Oh my gosh.

Sandra Kofler: Are you talking about the character or the actor?

Angela Kinsey: No the character.

Ellie Kemper: The character.


Sandra Kofler: Okay thank you both.

Angela Kinsey: Thank you.

Ellie Kemper: Thank you.

Coordinator: Alex Davies, Flash News.

Alex Davies: Hi guys, thanks so much for doing the call.

Angela Kinsey: Thank you.

Ellie Kemper: Hi.

Alex Davies: Yeah, so kind of going off a little about that, how was it, Ellie, wearing like the Victorian doll clothes? Was it binding? Is it hard to breathe? I know Angela said in other interviews it’s kind of interesting putting that stuff on.

Angela Kinsey: Oh my God it takes forever. There’s like 32 buttons on that shirt.

Ellie Kemper: And they’re tiny, tiny buttons.


Ellie Kemper: I feel like my fine motor skills were completely – I could not – I couldn’t button them they were so small. It is weird, it’s like, yeah, it’s a throwback to another era I guess. I liked it but it was only because it was for one day. I liked having my hair in a French braid. I liked being sort of like up tight I guess.

Erin like her normal clothes are kind of weird clothes as well in a different way.


Angela Kinsey: Yeah, they’re crazy. I mean, I think everyone on our show dresses a little off.

Ellie Kemper: Yes, yes. Anyway I don’t know, I was trying to think of who the normally dressed person is, maybe Pam. Anyway, so, yeah, it was fun. It was fun to dress like Angela for a bit I thought.

Alex Davies: Yeah, and Angela, were you able to give her any tips on how to actually wear the clothes and be slightly comfortable?

Angela Kinsey: I just told her – I was just like I did mention to her I was like get ready for the tiniest buttons that you’re like how the heck do you button these. You know, I pitched a joke one time that we didn’t really get to shoot but that Dwight was trying to – like very sexy like trying to undo my top three buttons of my neck buttons before he even got to my chest buttons and that he couldn’t get – they’re so small like a man could never do it because they’re too tiny.

Alex Davies: I can barely do it.

Angela Kinsey: And then he just got, you know, just fed up and was like oh forget it and we walk away and we don’t mess around. But it’s – I did pull Ellie aside and say okay get ready for the tiny buttons, it takes forever. And I was – not to over-share but I do – when I was breastfeeding I would be like come on, man.

Ellie Kemper: Oh God, so that must have taken forever.

Angela Kinsey: I mean, it took me forever just to get situated.

Ellie Kemper: Oh God. That’s not when you want to be, yeah, that’s not when you want to be waiting to…

Angela Kinsey: No it’s not.

Ellie Kemper: Oh God.

Alex Davies: That’s so funny. And now are the writers or anything kind of using – you mentioned before like, you know, you are a mom and you bring your baby on set, you know. Are they – do they ever kind of go to you and like I don’t know, look at the baby and think of things that they could use, like, I don’t know, for the show?

Angela Kinsey: I don’t know, I mean, I think – I don’t know if they’ve done that yet but I can tell you that when we had a table read for the baby episode where, you know, Jim and Pam – that big episode for us is coming up – I sort of – our female writers on the show don’t have children and so I quickly was like oh my gosh, are you kidding?

No, no, no, after labor this is going to happen. Okay, okay, and I like pulled BJ and Mindy aside and I was like okay, okay let me tell you something; let me tell you who all comes to your room and what they do to you okay, right.

And then I was like – and wait is Pam going to breastfeed because oh my God I got lots of breastfeeding stuff and especially going back to work you’ve got to get your pump, you’ve got to work that in. And so BJ was kind of writing things down. And I have no idea what made it or not but I definitely was like chatting them up about it all.

Ellie Kemper: Yeah, I was wondering I was like…


Ellie Kemper: …guys and like two women, yeah, I was wondering how they were going to make that actually get the facts so anyway, Angela, thank you.

Angela Kinsey: Well I don’t know, I mean, I’m sure they did their own research.

Ellie Kemper: Sure but…

Angela Kinsey: And there’s several male writers who have children. But, you know, I just went up to BJ and Mindy and was like I know the men are going to give their point of view, let me tell you what they do to you.


Angela Kinsey: Let’s talk about Pam for a minute. The actual person going through it.

Alex Davies: And will you be giving Jenna some tips like on how to like – for the show for like I don’t know just how to kind of do the maternal things?

Angela Kinsey: Well you know what, Jenna was with me in the hospital when I had my baby.

Alex Davies: Oh.

Angela Kinsey: Yeah.

Ellie Kemper: I didn’t know that.

Angela Kinsey: Yeah, it was my mom and Jenna and my husband Warren and that’s who was there. And so Jenna was very first hand, she saw everything. And I remember after we read the script for the baby I was like but wait, I go Jenna do you remember – she like oh yeah, oh yeah, I remember. I had to turn away. You know what I mean. And so it gave her some really good perspective.

And then she recently told me this very sweet story that I gave her like a little tip about how to quiet a baby. And she was able to use that and press her – like with her sister’s baby and her whole family was like how’d you do that and she was like Angela showed me that.

Ellie Kemper: Oh.

Alex Davies: Oh awesome.

Angela Kinsey: And I was like woo-hoo. But no, I mean, Jenna’s going to be a great mom. I of course want her to get pregnant like yesterday because come on, Isabel – my bff, come on, we need to have bff babies.

Ellie Kemper: I was going to say – Isabel is – how old is she?

Angela Kinsey: She’ll be two in May.

Ellie Kemper: All right, don’t worry, there’s time.

Angela Kinsey: I know so I’m like Jenna, get on it.

Ellie Kemper: Get cracking.

Alex Davies: Awesome. Thanks so much guys.

Angela Kinsey: Thanks.

Coordinator: As a reminder please limit yourself to one question. The next question is from Rachel Stein, Television Without Pity.

Rachel Stein: Hey ladies how are you?

Ellie Kemper: Hi Rachel.

Angela Kinsey: Hi.

Ellie Kemper: We’re good thanks.

Rachel Stein: So you mentioned before you touched on how, you know, the show started off as a mockumentary and that there was a documentary period this taking all this footage. And now in these episodes, you know, like the – you guys barely interact with the cameras except in the testimonials. How do you and the other actors handle that?

Angela Kinsey: Handle the camera crew there and not…


Rachel Stein: Yeah, well sort of like the now non-presence of the camera crew?

Angela Kinsey: Well I think it’s sort of – it’s kind of an interesting thing that happens just to you as a person. When there’s a camera around you all the time – and I think we see it in reality TV because all of a sudden, you know, several episodes into a reality show some – one of the personalities will do something and you’re like holy crap they would never do that, there’s a camera right there. Come on.

Rachel Stein: Right.

Angela Kinsey: And then what happens though to you as a person is when there’s cameras around all the time they just start to become like a fixture, like a couch or a lamp.

Rachel Stein: Yeah.

Angela Kinsey: And you find yourself getting more and more free. And whatever boundaries you set for yourself at the beginning get pushed and pushed and pushed. And I think that that is a natural progression of our show with our documentary crew.

And we sort of are just like oh yeah them, whatever, just do what you want, they’re going to be there all day, forget it, you know.

Ellie Kemper: Right, right, right.

Angela Kinsey: And so I actually think it’s very realistic. But, you know, having worked on other projects in between The Office we still reference the camera way more, you know, than shows that obviously don’t have a camera crew…

Ellie Kemper: Yeah.

Angela Kinsey: …as sort of – I feel like the camera crew is our other character on the show.

Ellie Kemper: Yeah.

Angela Kinsey: It’s always there. But yeah, that’s how it sort of seems natural to me.

Ellie Kemper: Right, yeah, you just get, yeah, I guess, well you’ve been on the show longer than I have Angela.


Angela Kinsey: …that your character – I do find that Erin glances to them and has moments where she gets embarrassed in front of camera and…

Ellie Kemper: Yeah.

Angela Kinsey: …because it is new for you.

Ellie Kemper: Yeah right, yeah. Yeah, like you said it is, it’s another character in the show. It’s like, yeah, so you include them as well, yeah.

Rachel Stein: Yeah. You know, I could just imagine one of the guys hitting on Erin when she first joined the show, all the other guys loved her so much. Well thank you so much, it was good talking to you.

Ellie Kemper: Thank you.

Coordinator: Mike Hughes, TV America.

Mike Hughes: Yeah, Angela, could you kind of discuss the importance of these Webisodes just kind of keep you creatively fulfilled all the time because you mentioned in the early days of the show you guys would just kind of play games with yourself to amuse yourself when you – back before your character had much to do.

So is this like real kind of fulfilling in a way to also be able to do these Webisodes and to keep you always from never getting bored and so on?

Angela Kinsey: Yeah, absolutely. I feel like what’s great about the Webisodes is to use sort of a basketball term we kind of have a deep bench, you know.

Mike Hughes: Yeah.

Angela Kinsey: We have a lot of players. And Webisodes allow us to explore those other worlds because you have the world of Dunder Mifflin Scranton, okay, and it’s definitely seen a lot through Michael Scott’s eyes and what’s happening there. And then, you know, within any office you’ve got the main office but then you have these hubs like what the heck is happening over in Human Resources.

And then you got oh my God, the IT guys and they have their own thing going on.

Ellie Kemper: Yeah.

Angela Kinsey: And that’s what – that’s the reality of an office and that’s kind of cool for us in the Webisodes to explore, you know, what’s happening in Accounting because, you know, Accounting is going to be having it’s own drama within Michael’s day and his drama.

And it’s a lot of fun as an actor. I feel like they have more freedom to pair us up and put us in situations that maybe they couldn’t do in a full episode because there’s too many storylines. So it’s really fun to have my character, for example, get paired up with Erin which may not…

Ellie Kemper: Yeah.

Angela Kinsey: …happen in a big episode with all the other characters present.

Ellie Kemper: Yeah.

Mike Hughes: Yeah, when you think back to these old days when you didn’t have much to do, I mean, is this just a lot more fun for you now or what was it like in the early days?

Angela Kinsey: Oh my gosh it was fun from Day 1, from Day 1, I mean, it didn’t matter. I mean, Brian and Oscar and I would sit in the back corner there and crack ourselves up. We have no…

Mike Hughes: Yeah.

Angela Kinsey: …we would pretend that there was a spinoff show called (La Sacantadors). And it only aired on Telemundo. I mean, you know, it’s this whole experience has just been great from Day 1, I’m incredibly thankful; it’s all good.

Mike Hughes: Okay thanks.

Angela Kinsey: Sure.

Ellie Kemper: Thanks.

Coordinator: Jennie Tam,

Angela Kinsey: Jennie Tam…


Jennie Tam: Good morning Angela and Ellie.


Jennie Tam: How are you guys?

Angela Kinsey: How are you?

Jennie Tam: Good. So my question is who’s initial idea was it to put Angela and Erin together in a Webisode because a lot of times, you know, the actors will make suggestions so was it you guys or was it the writers who came up with that?

Angela Kinsey: No it was the writers, I mean, that’s my impression, right Ellie?

Ellie Kemper: Yes, that’s…


Angela Kinsey: It was Nate and Jonathan; this was their idea. And, you know, and we’re so thankful for it because we definitely had a lot of fun with it.

Ellie Kemper: Yeah.

Jennie Tam: What was your first reaction? I mean did you think oh wow this is like the two most opposite personalities coming together and it’s so obvious that, you know, they should be together or was it like, you know, we never thought of that but this will be really fun.

Angela Kinsey: I feel like – I was excited because I’m – listen, my character has like three shades that you see of her; it’s like pissed, slightly more pissed and really pissed.

So, you know, no I’m saying like she’s generally like – and listen I worked with people like her. I worked with this woman who was constantly grumpy. I’m like holy crap do you ever have a good day?

Ellie Kemper: Right.

Angela Kinsey: And then like one of her favorite days – I was temping – one of her favorite days was the day we cleaned out the fridge in the break room.

Jennie Tam: Oh no.

Angela Kinsey: And I think she got quiet joy out of it because she would look to see if it was even borderline smelly and just junk it in the trash.

Jennie Tam: Oh.

Angela Kinsey: And then people would come in and be like where is risotto? And she’d be like it smelled. And you know what I mean like and they were like I brought that in today. Whatever. I’m just saying like there are people like Angela. But so I get excited when we get to see a little color in Angela Martin.

Ellie Kemper: Yeah.

Angela Kinsey: You know, like I loved the episode when I shared with Pam that my knight in shining armor had driven all the way to New York to turn in my tax forms…

Ellie Kemper: Yes.

Angela Kinsey: …and I was actually giddy for Angela. And they – it was hard for me because they told me they wanted me to laugh. And I realized – in four or five years at that time of being on the show my character had never laughed and I didn’t know how to laugh as her realistically.

Ellie Kemper: I mean, you actually asked Pam to go to Starbucks with you.

Angela Kinsey: I know, I know.

Ellie Kemper: It was like a moment.

Angela Kinsey: It was a…


Angela Kinsey: …moment. So I think when they told me I was going to be this mentor to Erin I was like oh my God this is going to be great because I know I’m going to get to have some little discoveries as my character. Like I got to – in that Webisode series I got to go through emotions like pride. I was proud of her, you know, I was…

Ellie Kemper: Yes.

Angela Kinsey: …even like excited to show her new forms and so anyway that was a really long rambling answer to your question. But I was real because I loved to see different shades of my character.

Ellie Kemper: Yeah it – yeah, there was in watching them I can see, yes, there is a warmth. There’s like a satisfaction coming from it that’s not – it’s not like ill intentioned you’re just…


Angela Kinsey: No I was genuinely – my character was genuinely happy to help you.

Ellie Kemper: Yeah, yeah. And like Angela said earlier it was great because I’m not sure that we would have been able to like see that story on…


Ellie Kemper: Yeah, yeah. So it was – I’m so happy that they came up with that story.

Jennie Tam: That’s awesome. Thank you you guys.

Ellie Kemper: Thank you Jennie.

Angela Kinsey: Sorry to ramble Jennie.

Jennie Tam: No that was great. Thank you.

Angela Kinsey: All right thank you.

Coordinator: Melissa Leon, National Post.

Melissa Leon: Hi. Thanks for taking the time to chat with me…

Angela Kinsey: Sure.

Melissa Leon: …and everyone else today. I just wanted to quickly follow up with your – when you were speaking of – actually my first question was what was it that you said to Jenna to quiet the baby? And the second question I wanted to ask was for anyone – you sort of touched on this on about the addition of a baby not changing the dynamics…

Angela Kinsey: Hello?

Ellie Kemper: Oh maybe she’s gone.

Angela Kinsey: We’ve lost her, that’s what’s happened.

Joanne Park: (Audra), go ahead and take the next one.

Coordinator: Certainly. Bill Harris, Sun Media.

Bill Harris: I just wanted to ask you – for both of you, certainly at the heart of the show there’s, you know, sort of the, you know, needy insanity of Michael and the, you know, really crazy insanity of Dwight.

But there’s been a lot of, you know, when you think back like Jim, Pam, Michael, Jan, Dwight, Angela, Andy, Angela, Kelly, Ryan, even Toby and Pam in a way, how much do you think that the romantic tension that the show has had has sort of contributed to its longevity in terms of the comedy that you can derive from that? How important do you think that angle of the show is?

Angela Kinsey: Oh wow that’s a good question. I mean, definitely I feel like romantic tension can fuel a whole season, you know, I mean, that’s very apparent in sort of the Ross Rachel of Friends and, I mean, you know, definitely with the Jim and Pam. In the beginning of seeing them go from friends to people who had crushes on each other to finding each other I think, you know, there’s a good part of us as American viewers that are kind of hopeless romantics.

We even looked on a show that’s like an action thriller show like Lost and everyone is wondering what’s going to happen between Sawyer and Freckles, you know. So I think it’s just a natural thing for us. We want within our comedies, within our dramas we want to see emotion and we want to see heartfelt moments.

And so I think they’re really important but I think at the end of the day for a comedy you have to remember that you’re a comedy. Like it’s finding that balance.

Ellie Kemper: Yeah, yeah.

Bill Harris: Okay thank you very much.

Angela Kinsey: You’re welcome.

Ellie Kemper: Thanks.

Coordinator: Ann Oldenburg, USA Today Newspaper.

Ann Oldenburg: Hello.

Angela Kinsey: Hello.

Ellie Kemper: Hi.

Ann Oldenburg: Can you guys say how much we’ll see the baby or how much the baby will play into the show?

Angela Kinsey: How much the baby will be part of the main story, is that your question?

Ann Oldenburg: Right, right or effect the storylines?

Angela Kinsey: I don’t know.

Ellie Kemper: Angela, you know more than I do. I…

Angela Kinsey: This is what I’ve sort of gathered, and again I’m not in the writer’s room. But if I’ve learned anything from our show is that they try to really – our show is about an ensemble of people who work together. It’s about Michael Scott and his coworkers.

And anything else that’s added to that is just a little bit of seasoning or spice, it’s never the meat of a show, you know. And I think that this baby will be a little bit of seasoning sprinkled through of how it maybe is affecting Pam or Jim. But I think ultimately our show is about an office and that’s what will be concentrated on.

The fact that one of the coworkers has had a baby it will sort of, you know, come in and out but I don’t think it’s ever going to take us off our path of what the show is about.

Ellie Kemper: Yeah.

Ann Oldenburg: And do we actually see the baby in this one-hour episode coming up? Is it a real baby?

Angela Kinsey: Oh yeah there’s a real baby, yeah. There’s a real baby. It’s, you know, I’m glad I wasn’t there that day because I’d just be like I need the baby, give it to me. I know, I know.

Ellie Kemper: Yeah, I didn’t see the baby. I wasn’t in that – I wasn’t there when they – but, yeah, the baby was there what like four days I think right?

Angela Kinsey: Yeah. Yeah.

Ann Oldenburg: Okay.

Angela Kinsey: A tiny baby. It was cute, yeah.

Ann Oldenburg: Okay. Thank you.

Angela Kinsey: Thank you.


Coordinator: (Dan Cologne), (Westchester) University.

(Dan Cologne): Hi ladies. (Dan Cologne), (Westchester) University, school’s canceled today so today’s a good day.

Ellie Kemper: Hi.

(Dan Cologne): My question is, is there any episode that like gave you jitters or was like really hard not to laugh; you had to go to a really dark spot? I actually watched a commentary because I don’t have a social life. And I remember Angela talking about that in Season 3 and woman’s appreciation when Michael Scott kept trying to buy her panties.

Angela Kinsey: Oh God.

(Dan Cologne): And she did not take them. So my question for both of you guys is there an episode that was just really hard to do in the sense that you just tried not to laugh, and, yeah.

Angela Kinsey: Oh my – that’s every day for me by the way.

Ellie Kemper: Yeah. Yeah.

Angela Kinsey: I mean, you know, I crack up every day on set. And it’s not just me, I mean, we all have moments where we, you know, are – we’re trying to dodge the camera lens because we’re laughing so hard and we don’t want to ruin the take. I mean, Ellie, what was the…

Ellie Kemper: Yeah.

Angela Kinsey: …biggest one for you? I’m thinking of…

Ellie Kemper: I’m trying to think of my, yeah, actually there, well this hasn’t aired yet. There’s something Michael is doing – now I can’t remember what impression he’s doing. It’s maybe like – I don’t know what – I can’t remember. Like Jack Nicholson, he’s doing some impression but he was improvising it. But it was just – he and I were the only ones in the scene. And I just kept laughing.

And in a way I’m like I want to laugh because it’s funny. I think it’s one of the most terrible feeling to have to hold in laughter. But you really can’t – you have to hold it in because you have to get the scene done. But I go through – like Angela said – yeah, I think it’s every day.

And then I’ll go through like specific hours where I’m like giddy and it’s just too much because the whole thing is just this like comedy show I get to go to everyday to like watch. It’s…

Angela Kinsey: Well and I think we’re working with some of the funniest people on television right now.

Ellie Kemper: Yeah.

Angela Kinsey: You know, like in the business right now we’re with some of the funniest people. And it’s just amazing to be part of that. And I actually – I lost it. And this has aired so I can talk about it freely. But, you know, when the new – when Kathy Bates and her sidekick, Tom, the (news saver), employees come in and Dwight shows up with a tray full of hotdogs to offer them and then they say no.

And then he is just looking for a place to set them down. And just…

Ellie Kemper: Yeah.

Angela Kinsey: …watching – there was this kind of improvise moment where Rainn’s like what do I with this tray of hotdogs.

Ellie Kemper: Right.

Angela Kinsey: And he’s trying to find someplace to set them down in the background as these two people are talking. I was standing by the copier and I was – Brian was next to me and him and I were losing it.

Ellie Kemper: Yeah, yeah.

Angela Kinsey: Losing it because it was so funny to watch Rainn and Dwight try to figure out what to do with these hotdogs.


Angela Kinsey: …a small moment but it’s everyday like that.

Ellie Kemper: Yeah.

(Dan Cologne): Is there any particular character that just somehow it just seems like he always – or she always gets to you when you have to do a scene together?

Angela Kinsey: Wait, wait I’m sorry can you say that again? My phone just like cut out for one second.

(Dan Cologne): Is there ever like a particular character on the show that he or she just for some reason gets to you more than other characters?

Angela Kinsey: Oh I see, I see. Oh gosh I think for me it just depends on the day and like who I’m in the scene with. But, you know, Rainn – I have to say Rainn – maybe because I’ve done a lot of scenes with Rainn but he cracks me up quite a bit, Erin.

And, I think, I mean, if you’ve ever done a scene with Steve, you know, you think finally you’re like okay I’m not going to laugh, I’m not going to laugh. And then he improvises and then you’re just like…

Ellie Kemper: That’s what it is.

Angela Kinsey: …aw crap, you know, here we go, you know.

Ellie Kemper: It’s so – it’s just like of course effortless and then it just comes out. And yes I think oh I’m fine, I’m like in the scene. And then it’s those improvised lines or looks or whatever, oh gosh, yeah.

I also – I have a problem – I haven’t done this yet, Angela, and again too much information, I wet my pants a lot when I laugh too hard, I don’t know…


(Dan Cologne): Oh my gosh.

Ellie Kemper: It has happened. I’m shocked it hasn’t happened on set because it happens like – like in improv shows it would happen all – it’s like after – this is terrible – but anyway but it is that thing where you’re holding in laughter and it’s like it has to come out.

Anyway but mine – but I haven’t done that yet – but anyway I do have a…

Angela Kinsey: I can’t wait now.


Angela Kinsey: I can’t wait now. I’m like oh my God when is this crazy…


Angela Kinsey: …going to happen over there.

Ellie Kemper: It’s like only a matter of time.

Angela Kinsey: I have to bite the inside of my lip often. Or you know what I’ve started doing with Steve is I will look at the middle of his forehead and not in his eyes.

Ellie Kemper: Oh that’s – oh yeah.

Angela Kinsey: Because I feel like if you lock eyes with him you’re done.

Ellie Kemper: Oh gosh.

Angela Kinsey: You’re done, you can’t’ get through it.

Ellie Kemper: And he doesn’t ever seem to break. Not that I…

Angela Kinsey: He rarely breaks. Oscar and him are the two that rarely break.

Ellie Kemper: Yeah.

Angela Kinsey: And I’ve known Oscar for years, I did a sketch show with him. The guy never breaks. And when…

Ellie Kemper: Oh gosh.

Angela Kinsey: And when – the two of them if they ever break, forget it, put a fork in the rest of us we’re all done.

Ellie Kemper: Right, right.

(Dan Cologne): Thank you so much guys.

Angela Kinsey: You’re welcome.

Ellie Kemper: Thank you.

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